At Death’s Door, Chapter Four

At Death’s Door 

CHAPTER FOUR
   
CAROLUS IS BUSY

“You certainly start from scratch,” said Priggley that evening as he stretched himself comfortably into one of Deane’s two armchairs.  “No previous experience.  No special knowledge of the case.  No authority to investigate.  If you solve this one you’ll be a genius all right.”
He helped himself to a cigarette from the box on the table and blew out its smoke luxuriously.
“What a particularly odious child you are,” said Carolus.  “I hadn’t noticed that I had in my class anyone so steeped in the bad taste and perversities of the age in which we live.  Why I’ve allowed you to cross the threshold of my study I can’t think.”
“I’m a Provocation, probably.  I’ve started you on this and you may as well let me see it through.  You haven’t offered me a drink yet, by the way.”
“How old are you?”
“Sixteen.  Why?”
“You can have some lemonade.”
“I’ll settle for that.  I should have preferred a Bourbon straight, as they tell us in the films.  I say, do you really think you can solve this thing?”
“Yes.”
“It will be rather terrific you can.  I mean, you’d become one of these enormously publicized private detectives, wouldn’t you?”
“Not if I could help it.”
“What makes you think you can do it?”
“Between you and me, Priggley, I think anyone can.  I just don’t believe in all this mysterious power and vision in certain people who discover the identities of murderers.  Conan Doyle had to make the police half-witted blunderers in order to convince anyone of the existence of Holmes.  In nine crimes out of ten the identity of the murderer is never in doubt for a moment.  In the tenth there may be some delay, but only because the motive isn’t immediately clear.”
“Then why don’t the police get their man every time?”
“I think they do—almost.  But knowing who is guilty and being able to prove it are two different things.”
“So you think it’s easy.  Have you ever tried?”
“Only at a distance, as it were.  I usually do my daily newspaper crimes with the crossword in the morning.”
“But this will be the first time you’ve ever got down to it on the spot?”
“Yes.  Only I may not do too much of that, you know.  I’m not a great believer in tearing about, if it’s just for the sake of it.  Study the masters, my boy.  You never saw Holmes waste time on red herrings.  He jabbed his arm, lit a pipe and thought out the answer.  As easy as that.”
“But he had these superhuman powers you don’t believe in.”
Carolus grinned.
“We’ll see.  I may have to disguise myself and travel to Newcastle.  I may have to follow a mysterious stranger across London.”
Priggley’s eyes were shining as he affected boredom.
“Corn,” he said, “but quite tolerable as corn goes.  Actually detection itself’s a bit corny, don’t you think?  However, let’s get down to the murders in Market Street.  Where do we start?”
“With Emily Purvice,” said Carolus.  “With all we can find out about Emily Purvice.  I’d like her life story if I could get it.”
“So would the News of the World, I imagine.  Unfortunately not even Fleet Street can pay a large enough the to get an autobiography written by a corpse.”
“I said nothing about autobiography.  We’ll have to reconstruct the woman’s story as best we can.”
“Pretty squalid, I should think.”
“But interesting, Priggley.”
“Yes, very likely, in a low sort of way.  How will you begin?”
“The neighbours, I imagine.  I don’t know whether she had any family but tomorrow I shall call on the shops on either side of hers.”
“All right.  I’ll come with you,” promised Rupert Priggley as though he were conferring a large favour.  “After lunch it will have to be, won’t it?  I’ll call for you here at two o’clock.”
“So you can take an interest in things when you like?”
“Oh, I’m not always bored, even with your history class.  But I don’t think that could be anything much more loathsome than what is called ‘a keen youngster’.  I like to choose the things that interest me, not go chasing about indiscriminately, applauding like a mad thing when someone lout hits a boundary or scores a try.  One must keep a sense of proportion.”
“Insufferable little beast.  Take yourself off.  Your parents ought to be waiting for you with a slipper.”
“They’ve gone over to Deauville for the week.  See you in the morning.”
When he was alone Carolus lit a cigarette, poured himself a whisky-and-soda and picked up the newspaper giving the fullest account of the Market Street murders.  He had always known that sooner or later he would have to turn from an examination of the dusty half-forgotten crimes of history to the vivid and horrible murders of today.  He was perfectly aware of the foolhardiness of this for the police were experts with great resources and considerable experience.  But, he argued, he had two things which they had not, the habit of scholarship and freedom of movement.  The first might enable him to sift evidence with more detachment than a hard-working C.I.D. man, anxious to finish with his case and get on to the next.  He had learnt to reject the relevant; not to be seduced by attractive lines of conjecture.  As for freedom, the police were bound by certain laws and had to be prepared for the conduct to be criticized when they were in the witness box.  He was accountable to no one.
If the headmaster, for instance, heard of his activities and disapproved he had an easy remedy which would in no way trouble Carolus.  And provided he kept within the law no one else could have a word to say.
This, too, was an interesting case to start on.  It had already acquired disproportionate public interest because of the violent murder of a policeman.  Carolus had noted the extraordinary fact that the outcry of the public at the death of one of these officials, who were after all paid and trained to take certain risks in the suppression of crime, was far greater than when a law-abiding citizen was murdered at his till.  Already in the town Constable Slapper was mourned while the woman’s death seemed to arouse little indignation or pity.
She had been, he already gathered, a somewhat sinister old party in popular estimation, but was there any real evidence of this?  It would be interesting to see what foundation there was for rumours of her blackmailing and receiving.  As a matter of fact, he thought as he sipped his whisky, it would be interesting, period.
It was almost an hour before a caller whom he was expecting hurried into the room.
“Hullo, John,” Carolus said.  “Nice of you to call.”
“I got your message,” said Detective Sergeant Moore.  “I didn’t think I could get away but we finished earlier than I thought.  What do you want to see me about, Carolus?”
“You’re on the Market Street job?”
“Yes.  I’ve got young Geoff Baker working with me and Detective Inspector Wilks from Portstone’s been sent over to take charge.  Tomorrow we shall probably have to call in the Yard.  It’s a nasty case.”
“I know.  A policeman killed.”
“Yes, poor chap.  Leaves a widow.”
“Does he?  I didn’t know Slapper, but he was quite a young man, wasn’t he?”
“Twenty-eight.  Not very happily married, I always suspected.  Connie Slapper must have been a difficult woman to live with.  You should hear old Sergeant Smith who was on the desk that night describing her.  She rushed into the police station in the small hours screaming that she knew something would happen to Jack.  Looked pretty wild, he said, still wearing her dance frock.  She has calmed down now, though.  She’ll get a pension, I suppose.  It’s not her so much.  But poor old Jack Slapper wasn’t too bright and it’s a dirty business when a policeman in a quiet little town like this gets done to death on duty.”
“In this quiet little town, John, the woman Purvice seems to have carried on some pretty nasty occupations undetected.”
“That’s hitting low.  We knew a good deal about Emily Purvice.  We would have had her in time.”
“For receiving?”
“Among other things.  Why are you so interested?  Dabbling again?”
“My dabbling in the past hasn’t been altogether useless to you, has it?”
“You’ve had a few ideas.  But I don’t think you could help much here.  This is no job for a scholar.  It’s a crude and sordid piece of crime by someone who was not a novice in violence.”
“That’s your view, is it?”
“It’s Wilks’s view.”
“You think it takes practice to commit to murders within an hour of one another?”
“It takes a pretty desperate being.”
“Perhaps.  Or are pretty cold-blooded one.  However, I didn’t ask you round to give you my views because I haven’t got any yet.  I wanted to tell you that this time I’m not going to dabble, as you put it, but wade right in and do a bit of practical investigation on my own.”
“Oh good heavens.  Another private investigator?”
“Whatever you like to call it.  I’m interested, John.  I believe I can follow a line of my own.”
“I was afraid of this.”
The detective was a burly fellow in his late thirties, keen and efficient as Carolus new, no fool and a hard worker.  The two had met a year or two previously, when Moore was investigating some thefts from the school, and had become quite good friends, though Moore was inclined to resent the other’s imaginative gift for letting in light in dark places, a gift which, so far as modern crime was concerned, power and used until now only in conversation with Moore.
“Yes.  I was afraid of this.  You think because you can produce a theory about the Princes in the Tower you can do something about a woman battered to death in a back shop.  It won’t work, Carolus.  Keep out of our way and stick to your speculations about the past.”
“You may be right.  I may have illusions in this.  There’s only one way to find out and that’s to try.  I shan’t get in your way.  You won’t know I’m there.”
“Thanks for that much, anyway.”
“On the other hand, they can be no harm in your telling me the odd facts that only police methods bring to light.”
“I make no promises.  I’ve talked about cases before to you and always been able to trust you.  But if you’re going to butt in this time, it’s different.”
“I’m not.  I shouldn’t need to go over your ground at all because you can tell me things that will save me the trouble.  Have you, for instance, a suspect?”
“Seven,” said Moore bitterly.
“Indeed?”
“Well, not suspects yet.  Possibilities.  Emily Purvice had a son, a useless oaf who has done a couple of short sentences for taking a minor part in small robberies.  He came down from London on the day before the murder to see the old woman.”
“Mm.  Well in the tradition.  The ne’er-do-well son.  Usually a favourite who falls out of the running towards the end.  The reason why he shouldn’t have done it this time, I suppose.  Who else?”
“These aren’t suspects, Carolus.  Let me emphasize that again.  But they’re in the picture.  There’s the couple who keep the greengrocer’s shop next-door.  Mr. and Mrs. Polling.  Quite decent people.  Owed Purvice rent.  She’d got an Order against them and was quite liable to throw them out.”
“Feeble,” commented Carolus.  “Too often turns up.  Standard characters with artificially inflated motive.  However, I agree that they must go on the list.  Who else?”
“Girls from the pet shop on the other side.  Sold the dog which she ill treated.  They demanded it back and were being held to ransom.”
“That’s a little better.  Murders have been committed for less than that.  Yes?”
“The Vicar of All Saints.  Rev. Stephen Colbeck.  All we know is that he went to the shop rather often and stayed talking to Mrs Purvice.”
“Suitably mysterious.  Any more?”
“A youth called Drew.  Just out of Borstal.  Called on Purvice a few hours before she was murdered, and not to buy stationery.  That’s the lot.”
“And a very nice little lot, too,” said Carolus appreciatively.  “Varied.  Full of possibilities.”
“Not much else to tell you.  No weapon yet.  Fingerprints in the shop but none in the back room except the old woman’s.  Nothing found new the corpses except Slapper’s torch which had fallen out of his hand and a bit of curtain pulled from the window which was badly blood-stained.  Not very helpful.”
“Oh, I don’t know.”
“The only other thing worth mentioning the dog.  We know she had the fox-terrier puppy which she had bought from the girls next door.  It has disappeared.  It seems to have been kept in the bathroom until quite lately.  Possibly till the night of the murder.  It has gone.  The girls say they know nothing about it.”
“Thanks for all this, John.”
“All I ask is that you keep out of our way.  We’re busy.”
Carolus smiled.
“I’ll do my best,” he said as he shewed Moore out.  “I expect to be quite busy too.”

At Death’s Door, Chapter Three

At Death’s Door 

CHAPTER THREE
   
A WORKING HYPOTHESIS

The Queen’s School Newminster is, as its pupils find themselves under the necessity rather often of explaining, a public school.  A minor, a small, a lesser-known one, they concede, but still in the required category.  It has a hundred and sixty day boys, thirty boarders and a staff of eighteen.  Its buildings are old, picturesque and very unhygienic and one of its class-rooms is a showpiece untouched from the Elizabethan age in which the school was founded.
About a year before the double murder in the town the school had been given a little reflected fame for its senior history master, Carolus Deene, published a successful book and did not scorn to print under his name “Senior History Master at the Queen’s School, Newminster”.  The book was called Who killed William Rufus? And Other Mysteries of History and it Mr. Deene most ingeniously applied methods of a modern detective to some of the more spectacular crimes of the past and in more than one case seemed to have found new evidence from which to draw starting conclusions.
On the Princes in the Tower he was particularly original and perceptive and he disposed of much unreliable detail in his study of the murder of Edward II.  The book was highly praised and sold a number of editions.
“It doesn’t, unfortunately, make Deene a good disciplinarian,” said the headmaster, a pompous man who valued discipline above learning.  “His class is the noisiest rabble in the school.”
Carolus Deene, at the time when Emily Purvice was murdered, was forty years old.  He had been a good all-round athlete with a half blue for boxing and a fine record in athletics.  During the war he did violent things, always with a certain elegance for which he was famous.  He jumped out of aeroplanes the parachute and actually killed a couple of men with his Commando knife which, he supposed ingenuously, had been issued to him for that purpose.
He was slim, dapper, rather pale and he dressed too well for a schoolmaster.  He was not a good disciplinarian as the headmaster understood the word because he simply could not be bothered with discipline, being far too interested in his subject.  If there were stupid boys who did not feel this interest and preferred to sit at the back of his class and eat reporting sweets and hold whispered discussions on county cricket, then he let them, continuing to talk to the few listened.  He was popular but considered a little odd.  His dressiness and passionate interest in both history and crime where his best-known characteristics in the school, though among the staff his large private income was a matter for some invidious comment.
The boys were apt to take advantage of his known interest in crime both ancient and modern.  A master with a hobby horse is easily led away from the tiresome lesson in hand into the realms of fancy.  He may or may not realize this as the end of the school period comes and he finds that he has talked for three-quarters of an hour on his favourite subject and forgotten what he was supposed to be teaching.
Carolus Deene was well aware of his weakness but he regarded his twin interests of crime and history as almost indistinguishable.  The history of men is the history of the crimes, he said.  Crippen and Richard III, Nero and the latest murderer to be given headlines in newspapers were all one to him, as his pupils delightedly discovered.
On the day after the first reports of the double murder in Newminster appeared, Carolus Deene had to take the Senior Fifth for a history lesson which was scheduled to deal with the Chartists.  This was not a particularly troublesome class but it had among its members a certain Rupert Priggley whom most of the staff considered a detestable boy, an over-sophisticated only son who appeared to think that education was a waste of time and schoolmasters crashing bores, an attitude which scarcely made for his popularity with the men who taught him.  But between him and Carolus Deene there was a sort of armed truce.  Priggley respected Deene and Deene, in so far as he was aware of the boy, was amused by Priggley.
That afternoon the class had scarcely sat down when a small bespectacled boy, specially deputed to the task, asked Deene what he thought about the murder of Emily Purvice.
“We’re considering the Chartists . . .” Carolus tried rather feebly.
“You may be, sir,” said Rupert Priggley at once.  “We’re madly interested in what has happened practically on our doorstep.”
“In 1838 . . .” began Carolus again, clearly weakening.
“But this is 1954,” Rupert Priggley pointed out.  “And delicious murders are being committed almost every minute.  Come on, sir.  Who done it?”
“I haven’t the remotest idea,” said Carolus.  “Almost everyone in the town seems to have had a motive.”
“That’s going to make it pretty awkward for the police, isn’t it?”
“I should imagine so.  Motive is the first and often the only instrument of investigation.  It nearly always gives a lead to everything else.  It’s not proof, that’s another matter.  That can be collected later.  Motive points the way and investigation painstakingly confirms or rejects it.  The murders which are never solved are those in which there is no motive, or in which the motive is not discovered.  Or perhaps those few in which so many people have motives that you can’t pick the right one.”
The class settled down contentedly to listen.  This was much better than Chartism.
“Don’t you think this one will be solved, then?” asked the bespectacled boy.
“I wouldn’t say that.  There are some very interesting aspects of the matter.  Very interesting.  If I were investigating it I don’t think I should go about it in the usual way.  I would not start by looking for a motive at all.”
“How would you start?” asked Rupert Priggley.
“I’d look for clues,” said Carolus.
“Surely that’s a bit corny, isn’t it?  You mean cigarette ash and that sort of thing?”
“Cigarette ash and that sort of thing in this case will be very important, I think.”
“You wouldn’t go so far as fingerprints, would you?”
“Certainly.  If there are any.  But that’s not the only kind of clue.  There can be clues in the behaviour of people, remember.”
“You ought to have been a copper, sir.”
“Doubtless you’d like to see me eliminated as neatly as poor Slapper was,” smiled Carolus.
“Neatly?” repeated the odious Priggley.  “Do you call that neat?  Blood all over the show from a bash on the head.  It sounds pretty messy to me.”
“In its effect, probably.  But neat as a crime—oh, very.  It seems that the man who had murdered Mrs. Purvice was trapped in that room. . . .”
“How do you know it was a man?”
Carolus thought for a moment.
“I don’t, of course,” he admitted.  “A woman could bring down something weighty hard enough to kill a man with a blow.  It seems, as I said, that the murderer was trapped in that room.  There was no other way out.  The woman had not been dead long.  Perhaps he had just committed the crime when the police arrived.  Or perhaps he was searching for something.  He must have heard the street door tried and hidden himself.  Where I don’t know.  I haven’t seen the room.  Then when poor Slapper came in he was for it.  The murderer knew he’d be found then and there, on the spot, practically in flagrante delicto.  There was only one thing to do and he did it.  He had the nerve to wait for the right moment when Slapper was bending down.  He killed him with a single blow, it seems.  He may not have meant to kill him, only to fell him and knock him unconscious while he got away.  He did this without any sound reaching the street, though the street door was probably open.  Two murders by violence which nobody heard or saw.  That’s what I mean by neat.”
“We don’t know that nobody heard or saw them.”
“We don’t know anything yet.  We’re making guesses based on a few acts given in the newspapers.  A most fruitless occupation.  We had far better return to the Chartists.”
This seemed to alarm the class.  Even those dreamers at the back who rarely listened to Carolus were anxious to avoid Chartism.  Questions were fired from all sides.
“Mightn’t it have been just robbery, sir?” suggested the bespectacled boy.  “Someone who thought the old woman had money in the place?”
This question brought Carolus safely back from the threat of Victorian history.
“Again,” he said, “we’re plunging about in the dark.  But if the case is as I understand it, the street door of the shop had been opened from the inside, not forced.  If that is so the murderer must have been someone known to be old woman, someone whom she was willing to admit when she was in the house alone and probably late at night.”
“Oh brilliant,” said Rupert Priggley sarcastically.  “You are a one for deduction, aren’t you, sir?  Suppose he or she came in while the shop was still open and kept the old woman in the back room by force?”
Deene did not laugh at this suggestion.
“I admit that every possibility must be viewed,” he said.  “But I don’t think that’s a very probable solution.  A man would not stay long with a corpses, surely, so that presumably Mrs. Purvice was not murdered until nearly one o’clock.  What was your murderer doing for seven hours?  He might, I suppose, have entered while the shop was open, and hidden himself somewhere, but in that case why was the street door of the shop unlocked, when Slapper found it?”
“How do you know it was?”
“How indeed?  That’s a thought.  You mean, Slapper could have been called into the shop by the woman or the murderer?  Slapper could be the murderer of the old woman and have been killed later by someone else?”
“I don’t see why not.”
“There is no absolute reason why not.  But if you start applying that sort of speculation to crime you will only complicate the issue out of all recognition.  You could go on and say that Slapper was killed by Emily Purvice who was not murdered till afterwards.  You could suggest that the policeman who found the tragedy murdered both of them.  You could speculate on some strange Chestertonian weapon that sent a weight hurtling through the air at their heads.  You could say that the murderer of the woman was in the house all the time and after his crime opened the street door for someone else who murdered Slapper.  But the investigation of crime is never as fanciful nor perhaps as interesting as that.  What we have to do here is to form a reasonable working hypothesis and apply it until something emerges to prove that it is false.  I believe that someone, probably a man but conceivably a woman, came to that shop door between twelve and one o’clock in the morning and rang the bell (if there is one) or tapped.  I believe that Emily Purvice was expecting this person or, if not, that she was not surprised to see him and had reason to admit him.  I think she did not lock the door thinking perhaps that the two of them would be standing in the shop for only a few minutes, or that in her interest in the person she forgot to lock it.  I think that this person murdered Emily Purvice.  If his motive was robbery he searched for what he wanted after her death.  If not, he had killed her only a few moments when Slapper arrived, found the door unlocked, and entered.  I believe that this person then killed Slapper because it was the only way to safety.”
“In fact,” put in Rupert Priggley, “it’s all admirably clear.  Only one small detail remains to be sketched in.  The murderer’s identity.”
“As you put it, Priggley, a small detail.  The police will probably be able to supply it within forty-eight hours.  If I knew a few more facts I could tell you myself.”
“I’m glad you’re so confident, sir.  This isn’t ancient history, you know.  The clues for this won’t be found in the British Museum.  This happened two days ago in this town.”
“The principles of detection remain unchanged.  What applied to a case in the eleventh century applies to this.”
“You really believe that?  Are you prepared to prove it?”
“Look into this rather sordid affair, you mean?  I don’t see why not.  The only objection is that the police will race me to it.  They’ll get their man this week.”
“But surely you know the form, sir?  You the amateur with genius, find the right man while they are arresting the most obvious one.”
“I doubt if it works out like that.”
“Anyway, you’ll have a shot?”
“I might.”
“Oh jolly good show, sir.  Topping, I believe, is the word.  We really might be back with Valentine Box and Billy Bunter.  It would be a laugh if you did discover something, wouldn’t it?”
“It might, Priggley.  But, you know, quite easily it might not.”
“What makes you say that?”
“This is a small town in which quite a number of people are connected by ties of relationship and friendship.  The murderer might turn out to be someone known to us all, or someone in a family connected with the school.”
“The headmaster wouldn’t be wildly enthusiastic about that, would he?  Particularly if it was you who discovered it.”
“It’s all a bit near the knuckle,” admitted Carolus.  “Murder in a small town is bound to be.”
“You’re really going to dive in and investigate it, through?”
“I’m going to consider what facts I can accumulate.  I might even form a theory.  And now, I think we will consider the Chartists. . . .”
Aptly and to everyone’s relief the bell rang for the end of the period.

At Death’s Door, Chapter Two

At Death’s Door 

CHAPTER TWO
 

THE SHOP DOOR WAS NOT LOCKED

Between midnight and half-past one it was Police Constable Slapper’s duty to patrol the Market Street area.  During the night which followed Emily Purvice’s reception of her five peculiar visitors he duly entered Market Street at about ten minutes to one and began conscientiously trying every shop door handle as he passed, using his torch to the best advantage.  An efficient policeman, he carried out this simple duty with religious care every night, as keenly as if Inspector Bassett’s eye were on him all the time.
And who was to be sure, he reflected as he passed Number Eight, who was to be sure that it wasn’t?  The inspector’s eye had been known to peer from some extraordinary backgrounds before now.  How could Constable Slapper tell that it weren’t there, fierce and red rimmed, behind the lace curtains on the first floor windows opposite?
But it was not only Constable Slapper’s respect for the inspector which made him the conscientious policeman he was.  He was naturally a meticulous man.  ‘You can set your watch by Slapper’ it was said at the police station.  His scrupulous performance of every duty was embarrassing to his fellow constables.
He would soon be home now, he reflected as he tried the door of Number Twelve.  He came off duty at two o’clock.  Connie his wife would not have been home long for she had been to the dance in the Town Hall tonight.  Grand Gala Flannel Dance, the posters said, Syd Sympson and his Swingoliers.  Connie loved a dance and had gone with Geoffrey and Lena Baker.  He didn’t mind that, though it seemed a bit hard that Geoffrey Baker, who had joined the police force when he had, should have become a Detective Constable and wear plain clothes and be able to go to a dance whenever he liked while he, Jack slapper, was still on his beat.  Still, Geoff had been a good friend to him and Connie, one way and another, and Geoff’s wife Lena was a sport.
If he were riled with anyone it was with Connie.
“Pity you’re on duty,” she had said rather petulantly.  “You always seem to be when there is a dance.”
“Can’t be helped.  Anyway, you know it doesn’t do for me to go to local ones.  Anything might happen.”
“I suppose so.  But I must have a break sometimes.  I shall go with Geoff and Lena.  Be back before you ask, I expect.”
“Constable Slapper had heard her say rather often that she must have a break and sometimes wondered what it was a break from.  Him?  The routine of their life?  The difficult circumstances of a policeman’s wife who was never quite trusted by other women?  However, he had tried not to doubt her and said he hoped she would have a good time.”
“I expect I shall,” she said.  “I wish we lived in London, though.”
Making his way up Market Street now he rather fiercely pulled at the door handles of Numbers Fourteen and Sixteen, then, as he reached Number Eighteen, ‘E. Purvice.  Fancy Goods’, he stopped short.
The door was unlocked.
This had happened before in other places but it seemed to Constable Slapper extraordinary that this particular door should have been left open.  He knew Emily Purvice and she was surely the last person in the world to omit such an elementary precaution.
He pushed the door and threw the light of his torch on the space within.  He could see the ‘fancy goods’, he was aware of the stuffy atmosphere of the place, but no more.
“Mrs. Purvice!” he called.
The silence which answered him was heavy and bleak.
“Anybody at home?” he shouted, trying to sound cheerful and reassuring.  Still there was no reply.
If the old woman had gone up to bed and left the door open it would be a miracle, he thought.  Perhaps she had gone out.  But where?  And why?  Surely in that case she would have left a light on in the room behind the shop?
Everything around him seemed as it always was.  The ‘fancy goods’ were undisturbed.  The atmosphere was stale.  There was complete and oppressive silence.
“I thought she had a dog,” said Constable Slapper to himself, though he had not read Conan Doyle.  “Funny that it should be so quiet.”
He began to move slowly across the shop towards the door at the back.  This had glass panels across which a soiled lace curtain hung.  There was no light behind it and he could see by his torch that the door was shut.
He wished he knew where the light switch was.  He began to look round the walls for one and eventually found it near the place where Mrs. Purvice commonly stood in shop hours.  He pushed it down but no light came.  He found another by the door and did the same but still remained in darkness except for the beam of his torch.
Now he was really puzzled and a little alarmed.  Something, he sensed, was very wrong indeed about Number Eighteen, Market Street.  He wondered whether he should get assistance before investigating further but the inspector, he knew, would have no sympathy with such lack of resource and he decided to go on.
Striding across to the door leading into the back room, he thrust this open.
“Mrs. Purvice!” he called loudly.  “Are you there, Mrs. Purvice?”
Then he saw any need shout no more.  Mrs. Purvice was indeed there, but she would not answer him.  However long he bellowed.  She lay on the floor in a curiously restful posture on her back.  Her face was covered by piece of cloth which later was found to be one of the two soiled curtains from the one small window in the room.  The carpet near her head was stained with dark liquid which could not be anything but blood.  “Her head lay in a pool of blood” the local newspaper said afterwards.  There was a gruesome smell in the room and Constable Slapper was afraid he might vomit.
“Don’t lose your head in an emergency,” the inspector had adjured him more than once.  “Whatever you do, Slapper, keep steady when you face something you’ve never dreamed would happen.”
Certainly he knew in theory a great deal about murder, indeed he had sometimes almost hoped that he might be concerned in the investigation of one with its rewarding publicity.  But he had never dreamed that he would come on an elderly shopkeeper with a head ‘in a pool of blood’ in the room behind her own place of business.  It was clearly one of those unprecedented situations in which he must keep steady and remember his training.
The first thing to do was the hardest, to make a brief examination of the corpse—the cadaver as it was called.  To remove the cloth from its face, in fact.  So stepping forward unwillingly, Constable Slapper bent down and gently pulled the piece of curtain aside, and shone his torch full on that gruesome mass of splintered bone and exposed tissue in which the brain of Emily Purvice must be mixed.
It was at this moment that Constable Slapper became aware that there was someone else in the room, someone living.  He had not time to think how he knew, whether by sound or site or smell or instinct.  Stooping there he was suddenly aware of it.
But it was the last thing of which he was aware, the last thing that ever entered his consciousness.  Before he had time to turn or rise, a blow of irresistible weight struck the back of his head and he fell forward.
“Death,” said the medical report, “must have been almost instantaneous.”
Constable Slapper lay across Emily Purvice and neither moved again.
But he, at least, was missed.  At twenty past three in the morning a nearly hysterical Connie Slapper hurried into the police station and asked the sleepy sergeant on night duty where her husband was.
“He hasn’t come in from his rounds yet,” said the sergeant sulkily.  He did not like being disturbed.
“But he must have!  It’s past three.”
This seemed to make the sergeant think in a slow, unwilling way.
“Yes.  He is late,” he admitted.  “Funny for him.  Always on the dot.”
“Something must have happened to him.”
“Now, Mrs. Slapper, I’m surprised at you.  A policeman’s wife getting so upset for nothing.  What do you think could’ve happened to Jack in Newminster?”
“It has.  I know it has.  I . . . I’ve got instincts in these things.  I never make a mistake.”
The sergeant chuckled.
“The gypsy has been warning you, Mrs. Slapper?  We shall probably find he’s got a nice little case of shop-breaking to his credit.  These young boys nowadays start thieving when they’re no more than twelve.  Still, I’ll send Constable Waymark round your husband’s beat to see if he can see anything of him.  You’d better sit down for a bit.”
Connie did as she was told.  Silly woman, thought the sergeant.  He had heard rumours about her which wee not always to her credit.  Her reputation had not been too good when Jack Slapper married her.  Excitable sort, he supposed.  Fancy thinking that something happened to Slapper because he was an hour later in coming off his beat!
However, the sergeant could not very well have refused to send young Waymark down.  They would probably come back together.
Then just as he was going to settle down to his Evening News, Connie Slapper began to cry and if there were one thing the sergeant couldn’t stand it was the sight of a woman crying.
“Come along now, Mrs. Slapper,” he said awkwardly.  “There’s no need for that.  Jack’ll be in in a moment.”
“He won’t!” cried Connie.
She was a handsome full-blooded woman, heavy and rather thick-featured.  The sergeant had always thought her attractive but tonight he wondered whether she hadn’t been having a drink or two.  She was still wearing her dance frock, he noticed.  “He won’t!” she repeated.  “Never again.  You’ll see.  I knew it would happen.  But I never thought . . . I oughtn’t to have let him go.”
“Whatever do you mean?  He had to come on duty, hadn’t he?” asked the sergeant.
“Yes.  Yes.  But not tonight.  I see things, I tell you.  Why doesn’t Mr. Waymark come back?”
“He’s got to go right down to the bottom of Market Street.  It’ll take him some time.  Very likely Jack will be back before he is.”
“I’m to blame,” said Connie Slapper hysterically and then repeated it.  “I’m to blame.  I’m to blame.”
“I really don’t know what you’re talking about,” said the sergeant and thought to himself that no wonder poor Jack Slapper looked a bit off colour sometimes.  He knew now what he had to put up with.
Then Constable Wayark returned both looked at his face.  Connie gave a cry and began sobbing again and the sergeant for the first time felt alarm.  For Waymark, a cool young fellow, looked very shaken indeed.
“Can I speak to you a minute, Sergeant?” he said.
The two men went into another room.
“What the hell’s the matter?” whispered the sergeant.
“Bloody terrible thing.  Old Mrs. Purvice, you know, fancy goods shop in Market Street, has been murdered.  Battered to death.  Horrible sight.  Jack must have gone in while the murderer was still there.  He’s done him, too.”
“Dead?”
“Stone dead.  Both of them.  I made sure of that.  Then I locked the place up and came back here.”
“Good God in heaven,” moaned the sergeant.  He seemed unable to say any more.
“Someone’s got to tell her,” said Constable Waymark.
“Oh my God,” said the sergeant.
“What about the C.I.D.?”
“Yes.  You can tell her.  I’ll ’phone Detective Sergeant Moore.”
“Me tell her?”
“Yes.  You found him,” said the sergeant illogically.  “I must get the C.I.D. onto this at once.  Old Mrs. Purvice.  I’ve heard some funny things about her.”
“There’s nothing very funny about this,” said Constable Waymark sharply.  “You should have seen her.  All right.  I’ll tell Jack Slapper’s wife.”
He returned to Connie Slapper but was relieved to find that the worst of his task was done for him.  She was staring at him with wide, horror-struck eyes.
“Is he dead?” she said in a harsh whisper.
He nodded.
“I knew it.”
She sounded desolate rather than surprised.
“I see things, you know.  I always have done.  When he didn’t come home tonight I knew it.”
“He was killed investigating a murder,” said Waymark, trying to sound comforting.”
“I don’t care how he was killed.  He’s dead.  I should never have let him go tonight.  He said he had a cold.  I could have . . .”
“Now, Mrs. Slapper, don’t make things worse for yourself.  The squad car will be here in a minute and will run you home.”
“No,” she said.  “Not alone.  It must take me somewhere else.  My sister’s home.”
“All right, said Waymark.  “Now try to take it easy.  There’s a drop of brandy here.”
The sergeant returned to the room.  He had pulled himself together now and spoke to Waymark with authority and importance.
“I’ve spoken to the inspector,” he said, “and he’s coming straight down.  Very upset he sounded.  Told me to get on to Detective Sergeant Moore at once.  He’s coming down, too.  You say you locked the premises?”
“Yes.  The key was in the lock.”
“Funny,” said the sergeant inappropriately.  “You’d thought anyone would’ve locked them up, wouldn’t you?  Here’s the squad car.”
“Mrs. Slapper wants to go to her sister’s,” said Waymark.
“Very well.  I’ll tell them.  Come along, Mrs. Slapper.”
Looking dazed and tearful Connie Slapper followed him to the entrance of the police station.

At Death’s Door, Chapter One

At Death’s Door

by

Leo Bruce

CHAPTER ONE
   
THE DAY BEFORE THE MURDER

On the day before Emily Purvice was murdered the little town of Newminster had what is termed in England a heat wave.  That is to say there were at least six hours of sunshine, two of them strong enough to blister new paint and allow old gentleman to put on alpaca jackets.
Emily Purvice herself never seemed to notice the weather and discouraged cheerful references to it in conversation.  In fact she discouraged conversation, except rather furtive talks over the counter of her shop with people who had business with her.  And business with Emily Purvice was locally considered to be a one-sided matter.
She kept what is called rather ambiguously a Fancy Goods shop, sold oddments of stationery, picture frames and Gosse china, local newspapers, small ornaments and packs of cards.  The shop was ill-lit and had a heavy stale smell in it.  In the winter it was warmed by paraffin stove which added its own odour; in the summer it smelt of old stock and stale living quarters.
It could not pay, said the people of Newminster, for ‘there wasn’t much call’ for the things Emily Purvice sold, and she herself was not a woman to attract custom.  She was grim and avaricious, a little yellow-faced creature with a slight hump who never smiled, disliked greetings and good-byes and such conversational fripperies and served what customers she had as though they were her natural enemies.  Yet she was known to be rich.  She had invested in local property and owned a great many houses and business premises in the town.
There were several theories to account for this.  Some people were unkind enough to suggest that she was a receiver of stolen goods.  Others pointed out that she allowed the shop to be given as an accommodation address for a certain fee and through this may have gained knowledge of local affairs which she turned to advantage.  She had a lean finger in a good many unsavoury pies.  She was not a nice old woman.
On the day before she was murdered she had several callers who could scarcely be called customers.  The Reverend Stephen Colbert, for instance, the popular vicar of one of the town’s parishes, came in and remained in conversation with Emily Purvice for some twenty minutes.  He was a tall, lean, muscular man with a great deal of obstinate black hair on his face growing in unbecoming places.  His eyebrows were thick and unruly, his ears looked bristly as an animal’s, and hair sprouted from his nostrils and crept over the top of his clerical collar besides encircling a large mole on his cheek.  His big manly voice shook the rafters of his church when he preached and could be heard from far down the High Street greeting his parishioners.
“Splendid weather!” he shouted a dozen times a morning as he walked through the town.  “Hope it’s like this on Saturday!” he boomed with a jolly smile to those concerned with his annual Parish Féte.
But when he entered the dark unsavoury shop in which Emily Purvice stood alone, he grew suddenly subdued.  He said “Good morning, Mrs. Purvice” rather hopelessly, as though he knew he would not get an answer.
“Have you got the money?” asked Emily Purvice, whose habit it was to come to the point at once, especially when the point was as simple and as urgent as this one.
They fell into a long and seemingly intimate conversation, their two heads close together.  Only once, when the postman came in with several letters, was this interrupted.  Then Mr. Colbert stood upright.
“You can get me those cards by Friday?” he said loudly as the postman was leaving the shop.
They were soon talking intimately again.
Another caller was young Jimmy Drew who had just come from two years in a Borstal institution.  He was nineteen now and wore a strange and silly costume he called Edwardian.
“Morning, Mrs. Purvice,” he said brightly.  “Lovely sunny morning.”
“Have you got the money?” asked Emily Purvice.
’Course I —— haven’t.  What do you expect?  I’ve only been out a fortnight haven’t I?”
“They won’t like it,” said Emily Purvice.
“Who’s ‘they’?” asked Jimmy Drew disgustedly.  “You’re always talking about ‘them’ and what they’re going to do.  Like me to tell you something?  I don’t believe there are such people.”
“You may think what you like about that.  All I can say is that they won’t stand for it if they don’t have the money.  I shouldn’t like to see you get into trouble with Them.  Not as young as you are.  I tell you they won’t like it if they don’t get their money at once.”
“Well, no more don’t I.  Who does like being without lolly?  They’ll have to wait, that’s all.”
“I don’t think they will wait.”
“So what?  I’m not going to take chances to please them or you or anyone else.  I’ve done my ‘bird’ and I don’t want any more.  When I know of a really nice little tickle, a safe little tickle, I may do it.  But not until.”
“I shouldn’t be too long about it, if I were you.”
“I’ll take my time.”
“Better make it this week.  Or early next.  They won’t wait.”
Her quiet persistence seemed to check his bluster.
“Have a heart,” he said, trying to smile.
It was, to say the least of it, a fanciful injunction to give to Emily Purvice.
“No later than Wednesday.  That’s tomorrow week.”
“But I don’t know of anything.”
“Ask Syd.”
“Why, does Syd know of a tickle?”
“He might do.  You ask him, anyway.”
“I’ll see him at the dance tonight.”
“Mind you do then.  And don’t come here again till you’ve got something.  It looks bad.”
“Bad?  Why?  Just come to thank you, haven’t I?  For looking after mum.  What’s wrong with that?  All right.  Be seeing you.”
For a shop selling such old-fashioned wares, Number Eighteen, Market Street, ‘E.  Purvice.  Fancy goods, Stationery’ was busy on that warm summer morning.  Soon after Jimmy Drew had gone the street door opened again and a girl in jodhpurs burst in.
“You wicked old hag!” she cried.  She was flushed and trembling, a very angry young woman.  “You’ve got him shut up again!”
“Have you got the money?” asked Emily Purvice quietly.  “Because if so you can take him with you now.”
“You’re not going to blackmail me!” said the young woman.  “I’ve told you I’ll give you what you paid for him and a bit more.”
“I’ve given you my price,” said Emily Purvice.
Marcia Bailey look as though she might start crying though she was not the crying sort.  She was a stocky girl, dark and rather handsome though a little mannish.  She was Emily Purvice’s next-door neighbour sharing with her friend Jane Limbrick the proprietorship of ‘Marcia’s Pet Stores.’
They had opened the shop less than a year earlier and it was making a living for them, but in an unwary moment they had sold a favourite fox-terrier pup to Emily Purvice.  This was the subject of the argument now.
“You told me you needed him as a house dog.  You said you would take great care of him.”
“I do,” said Emily.  “He’s not likely to escape.”
“You cruel ——!” cried Marcia.  “I’d like to . . .  I’d cheerfully . . .”  She became incoherent as the tears started.
“I must have something for the Inconvenience,” pointed out Emily Purvice.  “All the noise from next door.  The pigeons wake me up.”
“You never even give him a run.  Jane says he’s half starved.”
“The Inspector did not think so when you sent him around.  He said he was in quite good condition.”
“You knew he was coming.  You wait.  I’m not going to have that dog’s life made a misery.  And I’m not going to pay all that money, whatever you may say.”
“I don’t know what you are going to do then,” said Emily Purvice, “because I can’t afford to be woken up by pigeons and have the smell of animals through the house without something to compensate me.”
“So you torment poor Barry?  You’re not going to get away with it, though.  If we hear him again this afternoon I’ll come in here and shake your teeth out of you.”
“You mustn’t threaten anyone.  You ought to know that.  The police won’t stand for anyone being threatened.”
“I’ll do it, too.  I believe you bought Barry from us on purpose.  I don’t care how old you are, I’ll give you a good hiding if it goes on.”
Something—a stretching of the lips—which on someone else’s face might have been called a smile, was seen for a moment on the sour bilious old features of Emily Purvice.
“You had better much better find the money.  It’s no good talking like that, as you very well know.”
Before she had finished speaking Marcy Bailey had left the shop.
When she was alone Emily Purvice put on her gold-rimmed glasses and began to examine one of a number of small notebooks which contained chiefly figures linked by single letters.  Two women came in to buy a birthday card and were silently given a trayful to examine.  Emily Purvice did not look keenly interested in their comments.  “That’s a nice one!”  “She’d like that !” they said.  Not until they asked the price of one—a floral anachronism with primroses and stocks commingled—did Emily Purvice speak to them.
When they had gone, the old woman again opened one of her little black books.  She was expecting a visit from another next-door neighbour but shewed no signs of impatience.  It was past noon when Mrs. Polling, the expected caller, appeared.
“Morning, Mrs. Purvice,” she said and added, as if in explanation of something, “I just popped in.”
“Have you got the money?” asked Emily Purvice, more sourly than heretofore.
“Mr. Polling’s just gone for it now,” said Mrs. Polling enthusiastically.  “He won’t be more than ten minutes.  He said to me this morning, he said, I must go and get that money for Mrs. Purvice, he said, and nipped out.”
“Where’s he gone?”
This seemed slightly to confuse Mrs. Polling.
“Just down the road,” she explained vaguely.  “He won’t be long.  He’s not the one to hang about gossiping.
“It’s four months rent.”
“Is it really?  There!  I told him last night, I said, Mrs. Purvice will be expecting her rent, I said.  We ought to have let her have it before, I said, after what happened last time.  But you know what he is.  Always looking after everyone but himself.  He’d give his last penny away if it was to help someone.  Then the business hasn’t been what it was.”
Mrs. Polling was a big smiling woman, easily flustered and given to scarlet blushes.  Her husband’s greengrocery business was one of the least flourishing concerns in Newminster, kept going largely by Mrs. Holdings optimism.
“I gave you till today,” said Emily Purvice.  “After that it’s Out.”
“I know.  You can’t be expected to wait.  Well, Mr. Polling won’t be more than ten minutes.  The business has started to Pick Up these last few days. . . .”
“He won’t be able to borrow it from Mr. Colbert again.  You know that.  I don’t know where he thinks he’s going to get it.”
“Oh, he’ll manage.  Well, he’s got to, hasn’t he.  We can’t go on like this.  I told him yesterday, I said, we can’t go on like this, I said.  But you know what business is.  It’s been ever so quiet until just lately.  Ever so quiet, it’s been.”
“I told the Court.  Only till today.  I’ve got the Order, you know.  It’ll be Out otherwise.”
“There!  I know you’d never do anything like that, Mrs. Purvice.  Not to a neighbour, you wouldn’t.”  There was not much conviction in her voice and no sign in Emily Purvice that could possibly be construed as agreement with this pronouncement.  “Besides, Mr. Polling is getting it now.”
“Well, you’ve got till this evening.”
“I must hop back to the shop.  I left it while I just slipped in.  Would you like a few flowers?  I’ll bring you in a bunch.”
Mrs. Purvice seemed so little interested in this kind offer that she did not trouble to answer it.
“You see that it’s paid before tonight,” she said.  It was her only leave-taking.
She closed her shop at one o’clock until two but it was impossible to imagine Emily Purvice having a jolly little luncheon on her own.  A man who owed her money once said that if she ate at all it must be some Dracula concoction, some witch’s brew from a black cauldron.  Actually she was a gross eater, consuming large quantities of the more inexpensive foodstuffs and drinking a pint or so of sweet strong tea with every meal.
Only once more that day did she receive a visit from anyone known to her.  That was at about four o’clock when a heavily built man of thirty-six came in and grinned knowingly to her.
“Hello, Mum,” he said incredibly.
Emily Purvice seemed about to speak when her son forestalled her.
“Have you got the money?” he asked.
“I told you not to come,” said Emily Purvice.
“I know you did.  But you didn’t send what I asked you for.  I’ve got to have it, Mum.”
“You can’t.”
“Yes I can.  You know very well you can spare it.  I’ve got to get away.”
“No.  I should have thought you knew by now.  I’ve got nothing for you, and shouldn’t give it you if I had.  You could have saved yourself the fare.”
“We’ll see about that.  Are you going to let them send me back to the nick?”
“Yes.”
The man hesitated for a moment then turned towards the door.
“You’ve asked for it!” he said.  Considering everything known of Emily Purvice this did not seem too strong a statement.  All her life she had been ‘asking for it’ as her son called it.  This was what made her murder, which took place a few hours later, such a difficult crime to investigate.  There were moments when the police felt like giving up their attempt to find some among the scores who hated or feared Emily Purvice the one who had killed her.
“Motive?  Everyone who knew that woman had a motive,” said Detective Sergeant John Moore a week later.

Textual notes for At Death’s Door

As has been our policy in previous publications of Leo Bruce texts, we have, for the sake of consistency, mostly (though not always) followed the spelling and punctuation of the earliest novels—“shew” is used instead of “show” (when a verb), for example, direct speech is enclosed within double quotation marks (and reported speech therein within single quotation marks), “’phone” is retained for the shortened form of “telephone” instead of “phone”, “will” is capitalised when referring to a last will, and hyphens are retained (or, if absent, inserted) in “armchair” and “weekend” but hyphens are removed from “finger-prints” and “to-morrow”, “to-night” and “to-day”—in all texts.
In At Death’s Door, these additional changes occur:
spaces were placed around long dashes (Chapter One, page 9), and before another instance (p. 11), on the supposition that the dashes mark not a long pause but some short and no doubt profane expletive;
“she” in “she became incoherent as the tears started” (Ch. One, p. 11) was capitalised;
each instance of a subjunctive “was” (outside of dialogue, of course)—in “as if Inspector Bassett’s eye was on him all the time” and “tell that it wasn’t there” (Ch. Two, p. 17), in “If he was riled with anyone” (Ch. Two, p. 18), in “if there was one thing the sergeant couldn’t stand” (Ch. Two, p. 22), in “difficult to tell whether it was natural ability” (Ch. Five, p. 47), in “If this was true it narrowed the field” (Ch. Eight, p. 80), in “If that was so, the only hope was Dick Purvice” (Ch. Eighteen, p. 176), in “Carolus wondered whether it was not rather that his ears stretched” (Ch. Twenty, p. 189), and in “Even if it was the last afternoon of term” (Ch. Twenty, p. 189), in “If it was,” (thrice, Ch. Twenty-One, p. 198), in “unable to guess whether it was of him” (Ch. Twenty-One, p. 201), and in “if his watcher of a few minutes ago was the murderer” (Ch. Twenty-Two, p. 210)—was altered to “were”;

“if” in “He wondered if he should get assistance” (Ch. Two, p. 20), in “he wondered if she hadn’t been having a drink” (Ch. Two, p. 23), in “Carolus did not know if they were referring to Mr. Limbrick” (Ch. Sixteen, p. 150), was altered to “whether”;
one instance of “street-door” (Ch. Three, p. 32) was altered to “street door”;
“any one” (Ch. Four, p. 35) was altered to “anyone”;
“whisky and soda” (Ch. Four, p. 38 & Ch. Fifteen, p. 147) was altered to “whisky-and-soda”;
“criticized” (Ch. Four, p. 38) was altered to “criticised”;
a comma was inserted after “However” in “However I agree that they must go on the list” (Ch. Four, p. 42);
“has” in “as if the wind has stirred some heavy leaves” (Ch. Five, p. 45) was corrected to “had”;
“anyway” in “We should not like to know of any animal being ill-treated anyway” (Ch. Six, p. 56) was altered to “anywhere”;
“the” in “We knew the Purvice had business” (Ch. Six, p. 59) was altered to “that”;
we can find no other contemporary example of “ponk” (Ch. Six, p. 61) so, though it may have been Queen’s School slang, it was altered to “pong”;
in “She. . .” (Ch. Seven, p. 65) a space was inserted between “She” and the ellipsis;
the hyphen was removed from “brick-layer” (Ch. Seven, p. 66);
the hyphen was removed from “fore-warned” (Ch. Seven, p. 70 & Ch. Twenty-Seven, p. 258);
“father” and “mother”, when used by Mr. and Mrs. Baker appellatively (Ch. Seven, passim), were capitalised;
“£85” (Ch. Eight, p. 76) was altered to “eighty-five pounds”;
a comma replaced the stop after “smiling” (Ch. Nine, p. 87) in order to make two sentences—‘ “If I don’t return,” he said, smiling. “I’ll meet you in the Old Gateway café in half an hour.” ’—one sentence;
the Latin phrase “vice versa” (Ch. Nine, p. 88) was italicised;
“he” in “he told Miss Fitchley about the fox terrier” (Ch. Eleven, p. 105) was capitalised;
“That” in the parenthetical explanation “That’s thieving, Mr. Deene” (Ch. Thirteen, pp. 121-22) was uncapitalised;
one “prison officer” (Ch. Fourteen, p. 132) and a sole “officer” (Ch. Fourteen, p. 134) were capitalised for consistency’s sake;
“No. 18” in “Did you return to No. 18 Market Street” (Ch. Fourteen, p. 137) was, for consistency’s sake, altered to “Number Eighteen”;
the full stop’s position in “ ‘papa.’ ” (Ch. Fifteen, p. 139) was changed from before the right quotation marks to between them, “ ‘papa’.” and the comma was similarly moved in “ ‘Look thy last on all things lovely,’ ” (Ch. Fifteen, p. 141);
“in” within “Do you mean you took him in a pub?” (Ch. Fifteen, p. 140) was altered to “into”;
“It” in “It may be” (Ch. Fifteen, p. 141) was altered to “That”;
a full stop was inserted after the long dashes in “The lying —— He’d grass anyone” (Ch. Eighteen, p. 170);
“don’t” in “how do I know you don’t tell the Law?” (Ch. Eighteen, p. 171) was altered to “won’t”;
a full stop was inserted between “leg” and the subsequent ellipsis in “a dragging leg. . .” (Ch. Nineteen, p. 178);
“old” in “old Etonian” (Ch. Twenty, p. 191) was capitalised;
a comma was inserted after “Deene” in “My dear Mr. Deene I don’t read crime fiction for nothing” (Ch. Twenty-Two, p. 215);
a full stop replaced the seemingly unwarranted eroteme in “This blighter may be out to kill you?” (Ch. Twenty-Three, p. 221);
“jibbering” (Ch. Twenty-Four, p. 232) was altered slightly to “gibbering”;
a comma was inserted after “Baker” in “when he, Baker would have finished and gone” (Ch. Twenty-Eight, p. 264);
“back-yard” (Ch. Twenty-Eight, p. 265) was unhyphenated;
“And” in “And I thought you weren’t going to mention that” (Ch. Twenty-Eight, p. 265) was uncapitalised;
“mandible”, in “Bugs Fitchley trust out her horny mandible and seized Mrs. Millen’s” (Ch. Twenty-Eight, p. 273), was changed to “hand”;
a dagger and double dagger replaced the asterisks for the second and third footnotes (Ch. Twenty-Nine, pp. 282 & 283);
the “O” in “Good-O” (Ch. Twenty-Nine, p. 285) was uncapitalised.
Page references are to the first (and, sadly, only) edition of At Death’s Door by Leo Bruce, published by Hamish Hamilton (London, 1955).

The Blurb for At Death’s Door and the Contents

From the front flap of the dust jacket of the first (and only) edition of At Death’s Door by Leo Bruce, published by Hamish Hamilton (London, 1955):
Leo Bruce has put Sergeant Beef out to grass and introduces us to a new more sophisticated detective, Carolus Deene, with an odious schoolboy assistant, Rupert Priggley.  Deene is an elegant schoolmaster, rather in the Peter Wimsey tradition, rich enough to run a Bentley and an acknowledged and published authority on historical crime.
Leo Bruce’s characterisation is as good as ever, and his dialogue needs to be savoured, for its horrible and perpetually amusing veracity.  Though there are, as usual, satire and comedy, they do not spoil the truly baffling mystery.  The denouement will surprise both the hardened mystery addict and the wildest guesser.
—§§§—

  LIST OF CHAPTERS 
 
1   The Day before the Murder
2  The Shop Door Was Not Locked
3  A Working Hypothesis
4  Carolus Is Busy
5  Visit to Mr. and Mrs. Polling
6  Visit to Marcia and Jane
7  Visit to Mr. and Mrs. Baker
8  A Visit from the Police
9   Behind the Shop
10  The Life of Emily Purvice
11  Bugs Fitchley
12  Carolus Tries a Pin-Table
13  Some Facts Exchanged
14  Mr. Colbeck
15  Pear Tree Farm
16  Marcia Confesses
17  Mrs. Polling Breaks Down
18  Jimmy Owns Up
19  Dick Purvice Found
20  End of Term
21  Connie Slapper
22  Afternoon Watch
23  Disaster in the Sun
24  Newminster Hears
25  Another Attempt
26  All Concerned
27  Carolus Explains
28  A Fatal Woman
29  Late Night Final